Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. The third entry into the hugely popular Sasori-series sees Nami having to fight once again for her freedom and those of her peers and taking revenge on behalf of those without a voice. And Meiko Kaji's character in both is basically identical, and she plays it the same. Following her successful prison break, Scorpion begins this third episode in the series hiding out in a brothel. Female Prisoner #701: Scorpion 1972. Female Prisoner 701 Scorpion: Beast Stable (1973) Female Prisoner 701 Scorpion: Grudge Song (1973) New Female Convict 701: Scorpion (1976) New Female Prisoner Scorpion: Special Cellblock X (1977) Joshuu Sasori: Satsujin Yokoku (1991) Sasori in USA (1997) Sasori (2008) Advertisement: Even though I was disappointed - I really wanted to give the second film - Jailhouse 41 - a try. You can help Wikipedia by expanding it. The login page will open in a new tab. Considering the concept of the trilogy, much can go wrong in the third part, the conclusion of the journey of a character. This article related to a Japanese film of the 1970s is a stub. Please log in again. Retrieved 2007-12-02. Check your inbox or spam folder to confirm your subscription. Female Prisoner 701 Scorpion Wrongfully imprisoned, Female Prisoner #701 Scorpion is absolutely hell-bent on exacting revenge upon those who betrayed her. “Female Prisoner Scorpion: Beast Stable” is a worthy third entry to the series and a great conclusion to the journey of the main character. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. In “Female Prisoner Scorpion: Beast Stable” Ito and his main actress explored more facets of Nami’s world in which she again is the one being hunted, the person whose mere existence poses a threat and some kind of rebellion to the status quo. Both the police and an ex-prison mate of Matsushima's pursue her. Surface Laptop Go; Surface Pro X; Surface Go 2; Surface Book 3 Masao Shimizu’s cinematography along with Osamu Tanaka’s feverish editing complete the image of a patriarchal society deeply corrupted and fragmented, perhaps best represented by Mikio Narita’s performance as Kondo who may not be the most despicable, but at least the most malevolent antagonist of the series, a man who knows his way around the system and how to use it for his own brutal vendetta. She takes refuge with a woman who has a brother with a mental disability. Over the course of two features, “Female Prisoner 701: Scorpion” and “Female Prisoner Scorpion: Jailhouse 41”, director Shunya Ito had made two of the most beloved entries within the exploitation genre, in Japan and worldwide. The thing is though, Beast Stable is perhaps too much of its time – by basing it in the Tokyo of 1973, thirty years on it's starting to show its age a little, while Lady Snowblood, with its aspirations of being a chambara costume drama, still stands up today. Puoi creare e condividere la tua playlist riunendo video da … After her prison break, a woman goes on the run and hides out from police and a yakuza gang in the home of an incestuous prostitute and her brother. Although the Japanese flag as a metaphor for the nation is absent in “Beast Stable”, the social commentary is still there and just as acidic as it has been in the previous features. 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